I will reply and fix as soon as possible. Tupelo Honey , Polydor, 2, Germany Veedon Fleece , Polydor, , Germany Wavelength , Exile, , EU Common One , Polydor, , France Beautiful Vision , Exile, , Germany Irish Heartbeat , Polydor, , Germany Avalon Sunset , Exile, , EU Hard Nose the Highway Wild Children The Great Deception Bein' Green Autumn Song I Will Be There The New Symphony Sid Early in The Morning Who Can I Turn To?
Sack O' Woe Centerpiece including sections from "Blues Backstage" Your Mind Is On Vacation All Saint's Day Don't Worry About a Thing That's Life Professional Jealousy I'm Not Feeling It Anymore Ordinary Life Some Peace of Mind So Complicated I Can't Stop Loving You Why Must I Always Explain Village Idiot Take Me Back CD 2.
By His Grace All Saints Day Hymns to the Silence On Hyndford Street Be Thou My Vision Carrying A Torch Green Mansions Pagan Streams Quality Street It Must Be You Higher Than The World Connswater River Of Time Celtic Swing Rave On John Donne Irish Heartbeat Cry For Home September Night Into the Music Bright Side of the Road Full Force Gale Stepping Out Queen Troubadours Rolling Hills Angelou And The Healing Has Begun It's All In The Game Ain't Nothin' You Can Do Into the Mystic These Dreams of You I Believe To My Soul Bring it on Home To Me Saint Dominic's Preview Listen to the Lion Here Comes the Night Gloria I Cover The Waterfront Serves Me Right To Suffer Don't Look Back Never Get Out Of This Travelin' Blues The Healing Game Wasted Years Rainy Day Gloria Keep It Simple How Can A Poor Boy?
School Of Hard Knocks Lover Come Back Keep It Simple End Of The Land Song Of Home No Thing Soul Dweller On The Threshold Haunts Of Ancient Peace Cleaning Windows Magic Time Stranded Celtic New Year Keep Mediocrity At Bay Evening Train This Love of Mine I'm Confessin Just Like Greta Gypsy In My Soul Lonely And Blue The Lion This Time Magic Time They Sold Me Out Got to Go Back Oh the Warm Feeling Foreign Window A Town Called Paradise In the Garden Tir Na Nog Here Comes the Knight Thanks for the Information One Irish Rover Ivory Tower Pay the Devil There Stands The Glass Half As Much Things Have Gone To Pieces Big Blue Diamonds Playhouse Don't You Make Me High Back Street Affair Pay The Devil What Am I Living For This Has Got To Stop Once A Day More and More Spanish Steps Instrumental The Mystery Queen of the Slipstream Celtic Excavation Instrumental Alan Watts Blues Give Me My Rapture Gypsy Redwood Tree One of These Days If You Live Was Look Here City Home No Trouble Livin' Benediction Back on the Corner Tell Me Something I Don't Want Much News Nightclub Wavelength Tore Down A La Rimbaud In The Garden Stranded CD 2.
Here Comes The Night Little Village Baby Please Don't Go Did Ye Get Healed Rough God Goes Riding My own local hospital in Southampton now employs a musician to play to sick children, and help their recovery, through sounds of joy.
Shadowed by a piano and covered by strings, Morrison tells of Linden Arden outlaw? Resulting in one of the most perfect rock anthems known to humankind.
Yet instead of drifting into the ether, Morrison delivers a wry prose poem hymning the pleasures of bird-watching, autumn sunshine and pottered herring along the coast of County Down a boyhood haunt. A two-minute gem. By the end of it all, he is lost in the transformation. The song, and the album, slips away in a muted symphony of sighs and whispers. Having travelled so deeply into the music, Morrison has finally emerged on the other side, ready for the next journey — into the silence.
Unfolding languidly over seven minutes, it returns Morrison once again to a vividly reimagined Belfast childhood. The funky guitar lick, left-hand piano rumbling, driving, Memphis-style horns, and pumping bassline kick things off in grand party style.
Its surface pleasures are a little less than those of St. The major theme of Hard Nose is nostalgia, briefly but firmly counter-pointed by disillusion. The voice does not simply suggest or reflect this state of temperate bliss, it somehow is it. It felt like a new beginning. It was cut in about four days, all live, but he worked a little bit more on the arrangements with us.
He can be a very funny guy. After two and a half minutes, Davis seems to want to shut the song down. It is while listening to this gentle, steady little number that you realise that the standard of music has been consistently strong throughout the album.
Everything is broken. Van asks for a Bible. We used to meet and talk about metaphysics. He has a voracious appetite for the esoteric and a great interest in the mystical poets.
Here is the man who is concerned with soul healing and salvation, his every pronouncement buttressed by terse horns and firm piano triads. Here is the worshipful Irish aspirant to the soul throne. The major song on the album is in fact a poem — yes, a real one, recited, though Morrison cannot stop himself breaking into song, and a slow saxophone ends the proceedings. David Hayes confirms that a forty-five minute version was recorded live in the studio.
It was some session, it was like being in a church. The song starts off with a nice Celtic touch, courtesy of the accordion. There are two aspects that make it rise effortlessly above the fray. His phrasing of key words and sentences are simply superb.
The other aspect that makes this so strong is the melody. Perhaps aware of its summative nature, Morrison certainly throws everything thing into, and at, the song. While it captures one of his best studio vocal performances of the period, perhaps spurred on by the great surging wave of sound always just coming to its crest behind him, the experience of listening to song is somehow, with topographic appropriateness, flat.
Music is like a healing thing, and we are all being healed. People go to a rock and roll show and they come away feeling better. All this is just the foreground, but the background is something else.. It seems unlikely.
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